In addition to sharing best practices, the CAPuS partnership recognised the need to set a common and unambiguous vocabulary referring to the most relevant issues in the study of graffiti and street art for conser- vation purposes, such as style, execution technique, deterioration processes and conservation treatments. The final goal was the dissemination of knowledge to all stakeholders involved and the implementation of e-learning and training modules for con- servation students and professionals. The project involved 17 partners from 5 European countries, most of which focused on street art and contemporary murals. more The Conservation of Art in Public Spaces project (CAPuS), realised under the European Programme Erasmus+ Knowledge Alliances, aimed to develop a shared approach to the conservation of artworks in public spaces. The Conservation of Art in Public Spaces project (CAPuS), realised under the European Programme E. Research, screenplay, interviews, production: Sagita Mirjam SunaraĬamera, sound, editing, directing: Dragan Đokić (Studio Baranda) Those with speaking parts are (in order of appearance): the former steelworker Đuro Tadić (director of Sisak Stan, a company that is one of the successor firms to the collapsed Sisak Steelworks), the historian Vlatko Čakširan (director of Sisak Municipal Museum, the institution that cares for the collection of outdoor sculptures created within the Sisak Steelworks Fine Artists Colony), head of research into the Ružić 'Door' Sagita Mirjam Sunara (Assistant Professor at the Conservation-Restoration Department of the Arts Academy in Split), Ružić's daughter Rajka Zlatarić, artist and university professor Ante Rašić (Ružić's student and friend, and one of the participants in the 1984 Sisak Steelworks Fine Artists Colony), art historian Romana Tekić (director of the Slavonski Brod Art Gallery), conservator-restorer Neven Peko (Sisak Municipal Museum) and metalworker Mario Korzo (owner of Obrt Korzo – Sisak). The movie was filmed in Sisak, Zagreb, Slavonski Brod and Split. Through the story of the 'Door', the movie talks about the research that has to precede any conservation-restoration work on outdoor sculptures. The documentary 'Time Has Not Helped' provides insight into the specific issue of the 'Door' sculpture produced by Branko Ružić at the Sisak Steelworks Fine Artists Colony in 1984.
The documentary 'Time Has Not Helped' provides insight into th.
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